This same phenomenon repeats in Argentina, due to other factors, such as the lack and scarcity of accessibility to the materials of this international repertoire.
On the other hand, there is a concern to create an original marimba repertoire that emerged in countries such as the United States, France and Japan in the middle of the 20th century. The composers, who already come with a solid academic education, expand their ideas towards new experimentations in a search for their aesthetics. In Argentina -towards the end of the 20th century- a more globalized musical panorama is beginning to be perceived.
